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A
Rebellious Heroine
STUART HARLEY,
despite his authorship of many novels, still
considered himself a realist. He affected to say
that he did not write his books; that he merely
transcribed them from life as he saw it, and he
insisted always that he saw life as it was.
“The mission of the novelist, my dear Professor,”
he had once been heard to say at his club, “is
not to amuse merely; his work is that of an
historian, and he should be quite as careful to
write truthfully as is the historian. How is the
future to know what manner of lives we
nineteenth century people have lived unless our
novelists tell the truth?”
“Possibly the historians will tell them,”
observed the Professor of Mathematics.
“Historians sometimes do tell us interesting
things.”
“True,” said Harley. “Very true; but then what
historian ever let you into the secret of the
every-day life of the people of whom he writes?
What historian ever so vitalized Louis the
Fourteenth as Dumas has vitalized him? Truly, in
reading mere history I have seemed to be reading
of lay figures, not of men; but when the
novelist has taken hold properly—ah, then we get
the men.”
“Then,” objected the Professor, “the novelist is
never to create a great character?”
“The humorist or the mere romancer may, but as
for the novelist with a true ideal of his
mission in life he would better leave creation
to nature. It is blasphemy for a purely mortal
being to pretend that he can create a more
interesting character or set of characters than
the Almighty has already provided for the use of
himself and his brothers in literature; that he
can involve these creations in a more dramatic
series of events than it has occurred to an all
wise Providence to put into the lives of His
creatures; that, by the exercise of that
misleading faculty which the writer styles his
imagination, he can portray phases of life which
shall prove of more absorbing interest or of
greater moral value to his readers than those to
be met with in the every-day life of man as he
is.”...
The
Water Ghost of Harrowby Hall
The trouble with Harrowby Hall was that
it was haunted, and, what was worse, the ghost
did not content itself with merely appearing at
the bedside of the afflicted person who saw it,
but persisted in remaining there for one mortal
hour before it would disappear.
It never appeared except on Christmas Eve, and
then as the clock was striking twelve, in which
respect alone was it lacking in that originality
which in these days is a sine qua non of success
in spectral life. The owners of Harrowby Hall
had done their utmost to rid themselves of the
damp and dewy lady who rose up out of the best
bedroom floor at midnight, but without avail.
They had tried stopping the clock, so that the
ghost would not know when it was midnight; but
she made her appearance just the same, with that
fearful miasmatic personality of hers, and there
she would stand until everything about her was
thoroughly saturated.
Then the owners of Harrowby Hall calked up every
crack in the floor with the very best quality of
hemp, and over this was placed layers of tar and
canvas; the walls were made water-proof, and the
doors and windows likewise, the proprietors
having conceived the notion that the unexorcised
lady would find it difficult to leak into the
room after these precautions had been taken; but
even this did not suffice. The following
Christmas Eve she appeared as promptly as before,
and frightened the occupant of the room quite
out of his senses by sitting down alongside of
him and gazing with her cavernous blue eyes into
his; and he noticed, too, that in her long,
aqueously bony fingers bits of dripping sea-weed
were entwined, the ends hanging down, and these
ends she drew across his forehead until he
became like one insane. And then he swooned away,
and was found unconscious in his bed the next
morning by his host, simply saturated with sea-water
and fright, from the combined effects of which
he never recovered, dying four years later of
pneumonia and nervous prostration at the age of
seventy-eight...
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